kevinthai
Apr 6, 06:23 PM
I just got my low end 13" MacBook Air with 4GB of RAM today too. Should I keep it?
stubeeef
Aug 7, 03:25 PM
Just got off the apple website and WOW, some is obviously eye candy, but I LIKE IT ALOT!
http://www.apple.com/macosx/leopard/ichat.html
http://www.apple.com/macosx/leopard/ichat.html
Popeye206
Apr 11, 11:30 AM
They should stick to the June update each year. I know it may not be their fault but Apple need to keep the iPhone up to date, otherwise they will lose ground. Mobile phones are very competitive.
Apple has never been one to react to competition in the recent years. They seem to do what they think is best and let others follow them.
I think they know that if they bring out the best one when it is released, they will sell as many as they can make for a long time.
Apple has never been one to react to competition in the recent years. They seem to do what they think is best and let others follow them.
I think they know that if they bring out the best one when it is released, they will sell as many as they can make for a long time.
NebulaClash
Apr 27, 10:08 AM
Really? The posters on here that say there was no issue are correct?
I guess Apple fixing certain bugs related to this is whimtime.
I guess it's all a matter of what part of the issue you deem important. The tracking, the retention or the ability to opt out
Yes, the Apple fans were more correct than the anti-Apple folks. What we heard over the last week is that your personal data was being sent to Apple (it wasn't), that Apple is evil (it isn't), that Steve Jobs is lying (he isn't).
Strip away the hyperbole and you have a bug that is going to be fixed, data that is anonymized and not trackable to you unless you physically possess someone's Mac, and a story that made news last year and should never have gotten so big this time around. So yes, the Apple fans were more correct while the hype machine was wrong (as usual).
I guess Apple fixing certain bugs related to this is whimtime.
I guess it's all a matter of what part of the issue you deem important. The tracking, the retention or the ability to opt out
Yes, the Apple fans were more correct than the anti-Apple folks. What we heard over the last week is that your personal data was being sent to Apple (it wasn't), that Apple is evil (it isn't), that Steve Jobs is lying (he isn't).
Strip away the hyperbole and you have a bug that is going to be fixed, data that is anonymized and not trackable to you unless you physically possess someone's Mac, and a story that made news last year and should never have gotten so big this time around. So yes, the Apple fans were more correct while the hype machine was wrong (as usual).
bobbleheadbob
Apr 8, 05:17 AM
Why anyone would ever choose to buy an Apple product at Best Buy over the Apple Store is beyond me. :confused:
guffman
Aug 6, 01:46 PM
Apple is described as an "Applicant".
good catch - I still think it won't matter...
EDIT: In this link, the company is also described as an "Applicant"
http://tess2.uspto.gov/bin/showfield?f=doc&state=odbjam.6.1
good catch - I still think it won't matter...
EDIT: In this link, the company is also described as an "Applicant"
http://tess2.uspto.gov/bin/showfield?f=doc&state=odbjam.6.1
KilGil27
Aug 25, 07:39 PM
just because your battery falls within a range of serial numbers doesn't mean it needs to be replaced... if it tells you your laptop qualifies but your battery doesn't, then it was only the first part of the serial number... not the whole thing
skunk
Mar 22, 07:39 PM
I don't think Obama was "dragged" into this at all, the US has gotten willingly involved - but to what extent do you think it was stage-managed?As far as necessary to make it appear that he was the "last piece of the jigsaw" rather than its inventor.
MacRumors
Apr 5, 04:43 PM
http://www.macrumors.com/images/macrumorsthreadlogo.gif (http://www.macrumors.com/2011/04/05/apple-to-introduce-new-final-cut-pro-on-april-12th/)
http://images.macrumors.com/article/2011/02/23/003359-FCP.jpg
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mencles
Sep 19, 01:10 AM
If they don't update their MBs before October '06 - I see myself forced to buy a PC Laptop- because I really need one for university and I am not buying an outdated product.
Grokgod
Jul 28, 06:52 PM
Well we all know how Apple works with when things are due.
Look at the G5 laptop.
Tweak or no tweak, the return will cost money and getting a refurbished is not getting a new one.
CounterPoint: If he is just going to take it back to buy a refurbished one, why take it back.
He allready has it! Thats a roundabout way to work, isnt it?
If you take it back, you wait for the new one, why spend the money for restocking and not get the new one?
The question remains, what are you going to get with a new iMac that you dont have now?
If you were going to get a MacPro, then I would say, my god, return that iMac and get a new MacPro, if not then keep what you got and use it for the next 2 months and enjoy it,, cheers!
Look at the G5 laptop.
Tweak or no tweak, the return will cost money and getting a refurbished is not getting a new one.
CounterPoint: If he is just going to take it back to buy a refurbished one, why take it back.
He allready has it! Thats a roundabout way to work, isnt it?
If you take it back, you wait for the new one, why spend the money for restocking and not get the new one?
The question remains, what are you going to get with a new iMac that you dont have now?
If you were going to get a MacPro, then I would say, my god, return that iMac and get a new MacPro, if not then keep what you got and use it for the next 2 months and enjoy it,, cheers!
gloss
Sep 19, 06:52 AM
As I is naught en Amerikan canned sumone plz tell mi wen tanksgifting is? :p
British Transport: "Mayday, mayday! Can you hear us? We are sinking! We are sinking!"
German Coast Guard: [pause] "...what are you...tsinking about? (http://video.google.com/videoplay?docid=-5210751527160722920&q=what+are+you+thinking+about)"
British Transport: "Mayday, mayday! Can you hear us? We are sinking! We are sinking!"
German Coast Guard: [pause] "...what are you...tsinking about? (http://video.google.com/videoplay?docid=-5210751527160722920&q=what+are+you+thinking+about)"
sikkinixx
Aug 25, 06:53 PM
well im certainly annoyed with Apple's support right now. 3 times my Macbook has been in and now they tell me they cant FIX the problem (the only way I can get my macbook to boot up is to zap the PRAM every time). If I had known it was gonna be this much trouble I would have stuck with my pb or bought a Vaio... :mad:
Killyp
Aug 7, 05:04 AM
Now now Leoff, no need to be so harsh :)
I think he has a point though. There is no way that you could sue apple based on this. Apple released the Mac, and they call it the Mac now (not the Macintosh). There is a company (I can't remember who) that makes plastic coats called Macs, and yet you don't see those two sueing each other.
If apple did release the MacPro, which seems highly likely, then what is going to be the negative effect on your business? if anything, it will bring in more business as more people will be typing mac-pro.com into their browsers.
I think he has a point though. There is no way that you could sue apple based on this. Apple released the Mac, and they call it the Mac now (not the Macintosh). There is a company (I can't remember who) that makes plastic coats called Macs, and yet you don't see those two sueing each other.
If apple did release the MacPro, which seems highly likely, then what is going to be the negative effect on your business? if anything, it will bring in more business as more people will be typing mac-pro.com into their browsers.
generik
Sep 19, 01:17 AM
However, I am willing to pay more for Apples reliability, ease of use, and lack of numerous viruses. But, not too much more.
Apple's reliability? Care to elaborate more specifically? Good high quality well designed never dying logic boards that run at 40-ish degrees Celsius for one? :p
Apple's reliability? Care to elaborate more specifically? Good high quality well designed never dying logic boards that run at 40-ish degrees Celsius for one? :p
matticus008
Nov 29, 06:13 AM
One wonders why it hasn't been used in a Court of Law.
Not really, though. There are countless ways of maneuvering around any such royalties, from framing it as an access toll to a deposit or anything in between. This added cost doesn't actually get you anywhere in litigation, most importantly because it in no way stipulates between you, the customer, and the label.
What's also interesting is that if this fee is added they have now unwittingly legimized the stolen music.
Far from it. Each tax payer contributes to fund their local DMV, and yet their services aren't free. The state collects a tax on car sales, which goes in most cases to road improvement, police departments, and the DMV (along with a truly bizarre array of other causes), but it's only part of the cost. You also pay taxes to a general fund, which is distributed to agencies and services you may never use (or even be aware of). Contributing some money cannot be construed as contributing sufficient money here.
You also pay for car insurance which protects you in the event of an accident; intentionally putting yourself in an accident is insurance fraud. There's no such thing as "music fraud" (at least in this construction), but the result is a sort of piracy insurance policy for the label. Naturally, though, the labels claim such exorbitant losses and damages from piracy that even $1 per iPod would hardly dent that figure.
If this went into effect, I would have a defense in court when I downloaded the entire Universal Label Catalog (All Their Music) off the net.
If only it worked that way...
Just to be clear, this whole idea of collecting on music players is nothing short of outrageous. But it doesn't have the legal implications or weight that have been popularized here. They CAN have their cake and eat it, too, and they know it. That's why it's important for me to ensure that these false notions don't become ingrained as part of the Internet groupthink--when you step back into the real world, you'll be equally screwed, with or without this fee.
Not really, though. There are countless ways of maneuvering around any such royalties, from framing it as an access toll to a deposit or anything in between. This added cost doesn't actually get you anywhere in litigation, most importantly because it in no way stipulates between you, the customer, and the label.
What's also interesting is that if this fee is added they have now unwittingly legimized the stolen music.
Far from it. Each tax payer contributes to fund their local DMV, and yet their services aren't free. The state collects a tax on car sales, which goes in most cases to road improvement, police departments, and the DMV (along with a truly bizarre array of other causes), but it's only part of the cost. You also pay taxes to a general fund, which is distributed to agencies and services you may never use (or even be aware of). Contributing some money cannot be construed as contributing sufficient money here.
You also pay for car insurance which protects you in the event of an accident; intentionally putting yourself in an accident is insurance fraud. There's no such thing as "music fraud" (at least in this construction), but the result is a sort of piracy insurance policy for the label. Naturally, though, the labels claim such exorbitant losses and damages from piracy that even $1 per iPod would hardly dent that figure.
If this went into effect, I would have a defense in court when I downloaded the entire Universal Label Catalog (All Their Music) off the net.
If only it worked that way...
Just to be clear, this whole idea of collecting on music players is nothing short of outrageous. But it doesn't have the legal implications or weight that have been popularized here. They CAN have their cake and eat it, too, and they know it. That's why it's important for me to ensure that these false notions don't become ingrained as part of the Internet groupthink--when you step back into the real world, you'll be equally screwed, with or without this fee.
NoSmokingBandit
Aug 11, 07:14 AM
The only official date given to the game is Nov 2, but there were vague dates before then. They showed it at E3 '06, but it wasnt supposed to be a launch title.
bretm
Apr 11, 09:51 AM
Then that just begs the question, "why haven't these people left already?" FCP has been fairly stagnant for years. There are plenty of other alternatives, so doesn't that kinda make them fanboyish too for sticking it out when up to this point Apple has given zero hints about when or how it will take FCP to the next level?
I'm not in the video editing biz, but if the pro s/w I use in my profession hobbled my efficiency and workflow the way you are carping about FCP, and there were viable alternatives, I would abandon it quicker than pigeon can snatch a bread crumb. Just sayin'.
I'm an independent corporate video editor. Work out of the house. I've been doing NLE since 1993. I started with VideoCube, then Media 100, then Avid, and then FCP in 2001. Avid had to get really behind (and threaten to leave the mac platform) before post houses made the switch. They really screwed that up at NAB that year. They had been languishing on the mac apps and releasing certain products- Symphony, DS, etc. on Windows only for a few years and at NAB one sales guy said to someone that they would essentially be phasing out the mac platform. They denied it later, but it was probably their plan. Then FCP came out and for the corporate folks that didn't need to spend 70,000 on an Avid system, it was wonderful. In the years that followed it closed the gap immensely and Avid fought back with cheaper products and options. It became a either or situation, with FCP being the slightly cheaper option. But with the new tech in the last 2 years, Apple has to leap frog again.
But still, it's so much more than just the app. Which is why Adobe (which has all the features everyone wants in FCP) is having such a hard time getting anyone but hacks to use it. There is an installed user base and an entire generation of people trained on FCP & Avid. And it was just the above fluke that gave FCP an in. It's one thing for an individual like me to switch, but for a company that uses contractors and other companies and rely on compatibility and workflows and such, it's a nightmare. I work with independent producers, and their clients are usually large companies. All 3 of us are using FCP. If I switch, I make life hard on the producer who is cutting together rough ideas on her laptop. When we deliver product, we deliver a product and the FCP project and files so that the big company, who has editing facilites of their own, can make changes without our help in an emergency. It's part of why they feel comfortable going out of house.
It's the smaller turnkey shops that do it all in house that can afford to keep totally cutting edge and buy every upgrade. But truth is, most good editing should rely on cuts and dissolves. You need anything fancier audio or graphic wise, you should be hiring an audio professional or a graphics professional.
I have the Adobe Master collection myself because I dabble in AE, PS, Flash and Dreamweaver. But the web authoring has just gone crazy. I can't keep up with all that. And AE is starting to get that way too. For me, I would just like FCP to upgrade and/or reinvent itself so I can integrate new tech simpler. Better authoring for Blu-Ray and DVD. Better web options. Importing file formats without log and transfer BS. And lets tune it up to make it use all the processors and be a ridiculous powerhouse. High end features rivaling Avid, and the touch and elegance of Apple. Plus a few neat tricks like offline editing on iPad or using the iPad as a controller, etc. would be cool and welcome.
I'm not in the video editing biz, but if the pro s/w I use in my profession hobbled my efficiency and workflow the way you are carping about FCP, and there were viable alternatives, I would abandon it quicker than pigeon can snatch a bread crumb. Just sayin'.
I'm an independent corporate video editor. Work out of the house. I've been doing NLE since 1993. I started with VideoCube, then Media 100, then Avid, and then FCP in 2001. Avid had to get really behind (and threaten to leave the mac platform) before post houses made the switch. They really screwed that up at NAB that year. They had been languishing on the mac apps and releasing certain products- Symphony, DS, etc. on Windows only for a few years and at NAB one sales guy said to someone that they would essentially be phasing out the mac platform. They denied it later, but it was probably their plan. Then FCP came out and for the corporate folks that didn't need to spend 70,000 on an Avid system, it was wonderful. In the years that followed it closed the gap immensely and Avid fought back with cheaper products and options. It became a either or situation, with FCP being the slightly cheaper option. But with the new tech in the last 2 years, Apple has to leap frog again.
But still, it's so much more than just the app. Which is why Adobe (which has all the features everyone wants in FCP) is having such a hard time getting anyone but hacks to use it. There is an installed user base and an entire generation of people trained on FCP & Avid. And it was just the above fluke that gave FCP an in. It's one thing for an individual like me to switch, but for a company that uses contractors and other companies and rely on compatibility and workflows and such, it's a nightmare. I work with independent producers, and their clients are usually large companies. All 3 of us are using FCP. If I switch, I make life hard on the producer who is cutting together rough ideas on her laptop. When we deliver product, we deliver a product and the FCP project and files so that the big company, who has editing facilites of their own, can make changes without our help in an emergency. It's part of why they feel comfortable going out of house.
It's the smaller turnkey shops that do it all in house that can afford to keep totally cutting edge and buy every upgrade. But truth is, most good editing should rely on cuts and dissolves. You need anything fancier audio or graphic wise, you should be hiring an audio professional or a graphics professional.
I have the Adobe Master collection myself because I dabble in AE, PS, Flash and Dreamweaver. But the web authoring has just gone crazy. I can't keep up with all that. And AE is starting to get that way too. For me, I would just like FCP to upgrade and/or reinvent itself so I can integrate new tech simpler. Better authoring for Blu-Ray and DVD. Better web options. Importing file formats without log and transfer BS. And lets tune it up to make it use all the processors and be a ridiculous powerhouse. High end features rivaling Avid, and the touch and elegance of Apple. Plus a few neat tricks like offline editing on iPad or using the iPad as a controller, etc. would be cool and welcome.
fivepoint
Apr 28, 03:50 PM
I wonder what it would be like to go through life looking for racism around every corner? Constantly seeing the world in these glasses would have to be very tiresome and frustrating. Pretty sad really. People need to stop thinking about themselves and others as being members of groups, and start thinking of everyone as individuals. We're a society of individuals, we get our rights and our liberties as individuals, not because we're part of group A or group B.
If liberals would stop 'crying wolf' ('claiming racism') at every corner, we might actually take them seriously and help out when there's actual evidence.
If liberals would stop 'crying wolf' ('claiming racism') at every corner, we might actually take them seriously and help out when there's actual evidence.
AmbitiousLemon
Nov 28, 07:43 PM
This reminds me of this article from BBspot: http://www.bbspot.com/News/2006/11/home-theater-regulations.html
MPAA Lobbying for Home Theater Regulations
By Scott Small
Los Angeles , CA - The MPAA is lobbying congress to push through a new bill that would make unauthorized home theaters illegal. The group feels that all theaters should be sanctioned, whether they be commercial settings or at home.
MPAA head Dan Glickman says this needs to be regulated before things start getting too far out of control, "We didn't act early enough with the online sharing of our copyrighted content. This time we're not making the same mistake. We have a right to know what's showing in a theater."
The bill would require that any hardware manufactured in the future contain technology that tells the MPAA directly of what is being shown and specific details on the audience. The data would be gathered using various motion sensors and biometric technology.
The MPAA defines a home theater as any home with a television larger than 29" with stereo sound and at least two comfortable chairs, couch, or futon. Anyone with a home theater would need to pay a $50 registration fee with the MPAA or face fines up to $500,000 per movie shown.
Related News
"Just because you buy a DVD to watch at home doesn't give you the right to invite friends over to watch it too. That's a violation of copyright and denies us the revenue that would be generated from DVD sales to your friends," said Glickman. "Ideally we expect each viewer to have their own copy of the DVD, but we realize that isn't always feasible. The registration fee is a fair compromise.
The bill also stipulates that any existing home theaters be retrofitted with the technology or else the owner is responsible for directly informing the MPAA and receiving approval before each viewing.
Unfortunately the BBspot article is a joke, and Reuters story isn't.
MPAA Lobbying for Home Theater Regulations
By Scott Small
Los Angeles , CA - The MPAA is lobbying congress to push through a new bill that would make unauthorized home theaters illegal. The group feels that all theaters should be sanctioned, whether they be commercial settings or at home.
MPAA head Dan Glickman says this needs to be regulated before things start getting too far out of control, "We didn't act early enough with the online sharing of our copyrighted content. This time we're not making the same mistake. We have a right to know what's showing in a theater."
The bill would require that any hardware manufactured in the future contain technology that tells the MPAA directly of what is being shown and specific details on the audience. The data would be gathered using various motion sensors and biometric technology.
The MPAA defines a home theater as any home with a television larger than 29" with stereo sound and at least two comfortable chairs, couch, or futon. Anyone with a home theater would need to pay a $50 registration fee with the MPAA or face fines up to $500,000 per movie shown.
Related News
"Just because you buy a DVD to watch at home doesn't give you the right to invite friends over to watch it too. That's a violation of copyright and denies us the revenue that would be generated from DVD sales to your friends," said Glickman. "Ideally we expect each viewer to have their own copy of the DVD, but we realize that isn't always feasible. The registration fee is a fair compromise.
The bill also stipulates that any existing home theaters be retrofitted with the technology or else the owner is responsible for directly informing the MPAA and receiving approval before each viewing.
Unfortunately the BBspot article is a joke, and Reuters story isn't.
Peace
Aug 5, 04:09 PM
Well iSight or no, there needs to be an update anyway. The Mac Pro will have Front Row, and how will you control it by remote if you're meant to keep it under your desk? The new Cinema Displays need an IR "extender".
Besides, I still think Apple WOULD love to include an iSight in their displays.
Just another opinion mind you.But..:)
IR will be in the top of the MacPro and Apple will be selling a new USB IR extender.An Apple one.For folks that have the previous rev. Cinema Displays.
Besides, I still think Apple WOULD love to include an iSight in their displays.
Just another opinion mind you.But..:)
IR will be in the top of the MacPro and Apple will be selling a new USB IR extender.An Apple one.For folks that have the previous rev. Cinema Displays.
nostrum
Aug 8, 04:38 AM
Pretty underwhelmed by Leopard to be honest. Time Machine looks like the best new feature, but i doubt that I'll even use it that much. But does it really matter? OS X is the best OS out there, its still a significantly better than anything MS can produce. Its stable, doesn't crash, freeze, lock up. Its secure. It does everything you want without the hassle you get from XP. In truth it doesn't even need to be updated. It works and thats the most important thing to me as a user.
I'm happy with Tiger and unless there's something significant that will be in Leopard, i doubt that I'll upgrade unless I get a new Intel Mac.
I'm happy with Tiger and unless there's something significant that will be in Leopard, i doubt that I'll upgrade unless I get a new Intel Mac.
lOUDsCREAMEr
Jul 27, 03:19 PM
T minus 11 days...............
Cant wait.
i always wonder what does that T stand for??:confused:
Cant wait.
i always wonder what does that T stand for??:confused:
dmkidd
Mar 26, 12:05 AM
Yes come on summer! Daddy is waiting!!
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